Pho0t stolen from Cate Poe. |
This post is for Cate Poe’s Tejano,
aka Jeff Phelps. Whom I suspect will
learn & master more about Paper Mache than I remember from all those art
classes.
As a quick aside, I am going to
point out that the font I prefer is Comic Sans MS, which a link on Facebook
tells me is not just a cringe worthy, but a contentious casual font.
Somehow that pleases me & Cate
& Tejano will understand.
Of course, Tejano, you can find any
number of recipes for Paper Mache online, but Cate is a writer supportive of
other writers & both inspires & encourages me, so I am going to share a
bit of what I learned as a child.
And recently, in my Catrina creation
& over the Internet.
Tejano, the most basic recipe for
Paper Mache involves strips of newspaper, flour & water.
To make the glue, use one part flour
& two parts water. The result of
mixing it should be a runny glue.
Because I live in a reclaimed swamp with high humidity, I added
salt. And because I wanted to smell
something other than the glue it becomes, I added cinnamon. (I stored the paste in a Mason Jar in the
fridge & added water if necessary when I brought it out for additional layers.)
This is not an artist’s recipe.
In public school art class, we built
a form of wire (or in my Catrina case, use a skeleton from a Dollar Store)
& then dipped strips of newspaper in the flour glue, wrapping the strips around
the form.
Always sculpting the desired result.
The larger the wire frame, the
easier it is to achieve that result.
And then you painted it.
Because I was dealing with a
skeleton not much taller than a Barbie (although with no breasts, huge hip
bones & feet), my attempts at Paper Mache were limited by my desire to keep
her frame as a skeleton.
Somehow the whole process reminded
me that it is more difficult to write a poem, where every word is so necessary
& so apparent, than to create something in a larger venue.
Of course, there are far more
sophisticated recipes for Paper Mache glue.
But sometimes, basics work.
Photo also usurped from Cate Poe. |
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