Thursday, May 29, 2014
Today, my friend Cate Poe, of Connecting with Cate, posted about street
art in San Miguel de Allende, (where she lives with a Texan & too many
currently beige walls) & about street art by women across the world.
And my thoughts went immediately
to three black & white photographs I retrieved from the space once in Jean & Jack's house once occupied
by my Omega Son Sam.
For many years & in many
spaces, these photographs resided on the walls of where I lived. In the rooms of places I lived alone, in the
rooms of places I shared, in the rooms I tried to create for my sons to call
home.
And then they ended up in Sam’s
space, along with my paintings that dated from long before Jaki Jean thought
about children, or sons.
When Sam moved out to begin his
own life & write his own text, he took those paintings with him. Except for one, which I asked him to leave.
The why of that is another story,
not for this moment.
He did not take the black &
white photos of Houston inner-city graffiti.
I remember driving by the brick
fence on which that graffiti text was drawn & written when I was an inner
city dweller, living in a quadraplex on Stanford Street. I remember how it absorbed me, how I wondered
who created it, what did it signify, why this particular place.
I must have discussed it too many times at
family dinners with my parents & siblings.
Because one day, for my birthday
or perhaps for Christmas, I received three 8x10 black & white photos of the
art work that so intrigued me, courtesy of my sister Janet.
The images – an outline of an androgynous
human body, the declaration The Bounders Rule, were not exclusive to the corner I
passed on the way from my apartment on Stanford Street & Richmond Avenue to
travel across downtown to the Spanish Village on Almeda for margaritas &
conversation.
Each trip, to Spanish Village
& from Spanish Village, those images intrigued & delighted me.
Over the years I have heard two different stories about the origin of these images. The Bounders were a skateboarding street
gang, the Bounders were a group of Bellaire High School students who traveled
across the inner city, outlining their bodies on public buildings, public
places, public streets. And pronouncing
that the Bounders ruled.
I heard the story about the
skateboard gang from a fellow inner city dweller. I heard the story about the Bellaire High
School kids from a graduate, who claimed to be part of the rebellious &
daring group.
One of the body outlines was on
an overpass over the Southwest Freeway.
She had a plausible explanation for how that was accomplished, so my
instinct was to believe she had been a Bounder.
Not long after Sam was born, I
met a group of college students who had graduated from Bellaire with my source
& they firmly denounced her claim.
Jaki, even in high school, she fabricated adventures.
During the time I was friends
with my source, ten years my junior, she told me many plausible
stories.
About living in Greece for a year,
about leaving her parents’ home at 18 to escape her father’s control, about the
pressures of growing up Catholic, about an abortion she had before moving to
Washington, DC, another pregnancy scare while we were sharing an apartment on
Virginia Avenue next to the State Department, a job with CBS, a lump in her
breast, a scheduled surgery to remove the lump.
We were polar opposites
politically, absolute soul mates when it came to literature, text & children. She sent me a subscription to William F.
Buckley’s The National Review &
gleefully renewed it for years. She once
donated money to the Republican National Committee in my name.
It took me decades to get the
elephants to remove this donkey from their mailing lists.
Only during the 2008 election did I finally
convince them they were not going to win me over. William F. Buckley aside. My love affair with him was with his voice,
his words, his command of the English language.
Not his conservatism.
She was brilliant, articulate,
kind. And a wonderful writer.
Much later, after the day her
mother was due to come to D.C. for her surgery, the day she took my son
Nicholas to the Air & Space Museum for the nth time, the day she cleaned
the apartment, destroyed all her correspondence, drank a fifth of gin &
consumed all of Nick’s allergy medication, all her fiance’s pain medication
& threw herself into the Potomac, I learned that she did, indeed, fabricate
adventures.
She also took my half of the rent
& the phone bill, but did not pay her half.
While she was recovering from her suicide attempt, I was served with
eviction papers. I cannot count the
number of times that the phone was disconnected & I believed every
fabricated story she told me.
Of course, in retrospect, there
were signs. Some we recognized, some we
allowed her to explain away. Too many ignored when we tried to talk to her family.
She healed, her fiancé paid all
her debts, worked closely with her doctors.
They got married quietly, he
found her a job writing a newsletter from home, they had a son.
She sent me a wonderful crib mobile
that played classical music when Sam was born.
She was not a Bounder, but she was,
& is, a survivor.
The wall that once displayed the Bounders declaration has long since been whitewashed clean.
Retrieving the Bounder graffiti
from Sam’s former space a few weeks ago, I brought them downstairs & told
my sister Janet that I wanted to reframe them, with denim mats to match the
quilt she made me.
The photos are still in the
Lucite frames from so many decades ago.
When I look at them, I remember
that brilliant Bounder wannabe & how she conquered her demons, most of
which were surely caused by a chemical imbalance.
And when I look at the Bounder
photos, I also remember what it was to be a young woman
living in the inner city surrounded by friends, art, intelligence, voice. And wonder.
Thank you, Cate, for reminding me
of who I was & still am at heart.
And who I can be.
Bounders still rule.
Note: The original photographs are much finer than the pictures I took through the Lucite frames & cropped for this Blog. My apologies to my sister.
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